Showing posts with label Short Stories. Show all posts
Showing posts with label Short Stories. Show all posts

2010-12-24

casual ladyboy

it's our last night in bangkok (the first of a consummate two) and gates III and i decide it's time to leave the deranged and at times depressing example of 'white people in thailand' [that is khao san road] behind. we want to see other parts, areas and districts (of this incredible city and beautiful country) and so hop a cab and clumsily attempt to explain in our nonexistent thai to the disconcerted driver that we want to get to the gay district and chill there among what might be more of our 'own people', our type, our kind. the driver is perplexed by the address scrawled in my moleskin, he's embarrassed and bewildered too by our loud miming attempts to define 'gay' and 'homosexual' and 'friendly town.' we simply finally pile into the taxi, lapse into a trusting silence and at once and 'of a sudden' are on our lively hope-filled final way.

a forty-five minute highly visual quietly compelling and careening commute later, we find ourselves in another impressively urban area, distinctly less touristic and contoured by high buildings, several restaurants and wide busy lanes. it's a much more business-type area of bangkok that is comparable somewhat to what yonge&bloor is locally. gates III and i are both relieved and satisfied to have left khao san road fairly 'in the dust' but where we've ended up doesn't overly smack of 'gay' so we pause in our brief and as yet fruitless meander. finally we stop to 'take stock' and we remain still unsure. we wander around inconclusively some more into and around the thick humid bangkok night. we are saddled again with our huge travellers' pack and shoulder bags, we grow tired and get consistently nowhere. gradually we accept that we definitely aren't in an intelligibly homosexual neighbourhood at all.

after accosting a handful of mostly unhelpful strangers and foreigners, we light upon a strollingly elegant, discernibly homosexual, older man who seems most likely to be capable of giving us the succinct explanations and straightforward answers to the questions we have and the directions we seek. we are correct. he does and capably. this man is unruffled in an offhand way, he's not surprised to see us or to be accosted by us, he's just strolling along and just 'there'. it's like he has been 'put' there exactly for us to ask him categorical questions so that he can give us unequivocal replies. we ask him and he answers and everything looks to be 'on track' again, everything feels alright.

the man is indeed homosexual and he's rigorously in love with thailand. so much so that he's lived there for twenty years. he shares his personal details with us with natural familiarity and easy poise, he looks somewhat like tom wilkinson and his mannerisms and gait have a debonair ben stevenson flair and air. our cultivated homosexual guide accompanies us all the way to the sufficiently clean, modestly priced, acceptably attractive, homosexually-approved hotel that he himself recommends. he gives us clues and directions too as to where to go for 'good gay fun' and how to also get there. at the hotel, we bid him grateful adieu and his farewell is warm and kind and refined.

after checking in and once comfortably air-conditioned at last inside, gates III casts boisterously aside his towering and titanic travellers' pack. i'm delirious and prostrate, wearing as i do, almost always the very wrong footwear for a great deal of walking and for any manner of world traveling, my feet, as a result, are almost always destroyed. i collapse therefore with a plunge and luxuriously face-down upon the big and beautiful, bountiful bed. gates III zums and zithers. i start to pass completely out, i am exhausted to my core from the long cab ride, the heavy-loads carrying, the bangkok heat, the trudging about. gates III by contrast is all shot up with energy and excitement, his levels of get-up-and-go are luridly high. my exhaustion plummets me comfortably straight into a death embrace—it's by this point anyway almost midnight...

i manage to convince gates III that a nap is inarguably and for the both of us 'just the thing' but gates III seems to sense some kind of trap. he defensively denies me and almost angrily replies, 'no. no. cause then. you'll just lie there. you'll go to sleep. for good.' i'm taken slightly aback by his vehemence and coo out a reassuring 'no i won't' but he refuses combatively to be either tricked or convinced. tensely he then flops upon the bed with a bounce, he is stiff and unyielding, a nap is the furthest thing from all of his desire and interest or need. 'just twenty minutes' i with sumptuous sleepiness attempt ailing again to reassure. tempestuous and dubious, gates III rigidly concedes.

suddenly he is 'up at at 'em' once more, he's firing ferociously, to go. gates III bustles about busily, stands straightly tall and disruptively commands, 'ok. get up.' it's imperative apparently that we both hit up the homosexual town and bars at once. 'just twenty minutes' i mutteringly murmur and gates III shouts something about us having actually napped already for nearing an hour. i'm too overrun with an all-consuming exhaustion to even twitch out an argument or convincing line of defining defence but the thought of getting vertical and unwrapped seems not just unattractive but vicious and impossible, by all turns and to every boundary. i feel leaden and oppressed by the concept, to the point of a lethargically almost total despair.

'we have to go out,' gates III shouts with such dogged dramatic decision that [if i wasn't so powerfully fatigued] under normal conditions, i would have found the complete performance to be startlingly inspiring, it's so interestingly very extreme. 'we spent all this time and energy trying to find the gays and now we've finally done it! you'll regret forever that we never went out and had the time of our lives in the gayest city in the world! we have to get out there and party with the ladyboys, you'll never forgive me or yourself if i let you let me not make us go! trust me, you'll thank me later, we have to go, we have to!' i'm so exhausted that 'despite it all', i feel i still can remain unmoved by gates III's passion-drenched entreaty. 'what time is it' i ask very meaninglessly. (vying for time i opt instead to ask about it). 'who cares what fucking time it is!' gates III shouts. 'go ask at the front desk' i suggest, trying really just to get him out of the room and leave me to wallow beautifully in my nice and napping peace.

'ok.' gates III declares. 'i'm going downstairs and i'll find out the goddamned time. but if when i get back and you are still just 'lying there', i am going to fuck you. in the ass. i am not joking, i will fuck you. in the ass. a punitive ass-fucking, that's what you will get so get up. i do not joke!' that got me up faster than sheet lightning. gates III now is surprised and pleased. imbued by the easy suddenness of his success and accomplishment, he is radiant and smiling recklessly.  'we'll have so much fun. watch, i promise, you're gonna thank me, it's gonna be so awesome!' i ignore him and sluggishly and sadly start pulling on some clothes. i'm still fairly peeved and rather defiant about the whole fucking in the ass threat thing (i'm also slightly almost kind of impressed but of course only slightly. and secretly).

'it'll be so fun.' gates III says again, his face the very picture of eagerness, his voice both soothing and conciliatory. i'm too drooping and drained to drum up any of my signature comebacks or rejoinders, i'm even too tired to roll my goddamned motherfucking eyes and so. as a kind of 'revenge', i decide to go out almost or basically as is, that is, not get anywhere close to getting 'all dolled up' at all and to just wear actual gray sweatpants, a grubby pale pink t-shirt, some nearby unsuitable shoes, a cheap straw hat even and my huge heavy black-framed prescription glasses. the glasses look like they belong to my dad―if i had a dad and if this dad was some kind of newscast man from some time in say, the 50's. i look passably somewhat almost 'cute' but unnaturally excessively very casual too and not at all done up or eye-catching or anywhere close to homosexually-sufficient levels of diva fancy.

'whatever' i grumblingly mumble as i stumble gracelessly, grouchily about. i gather my things and glumly get ready to do some more of that thick humid bangkok trudging. gates III is all bright eyes and tail bushes, i am all 'fuck you' but drowsily, sluggishly, languidly. finally we get 'out there' and do the after midnight trailing and trudging thing. the getting there takes about seven forevers until we at last and somewhere arrive. at some kind of partially covered strip mall alleyway rectangle or square, it's a 'clubs cluster' space and place, type or thing. seems [this] is where we go to enter what turns out to be a 'bangkok gay clubs mall many meetings place'. i have no id on me and after a moment or two, the homosexual guards or doormen or coat-check people hospitably just motion us through and past and on and so we go in.

as we maneuver forward, we come across our homosexually elegant guide from earlier in the evening; we are just about to enter, he is just leaving. he is languorously delighted to witness our success in the finding and the coming and we in turn are pleased to so strangely and yet so seamlessly be in passing reunited with him. neither gates III nor i are the types to go with things like 'serendipity' but this re-connection somehow does feel like a sweet and serene good-times symbol, sign or 'something'. 

we the three of us smile, we exchange greetings, he handsomely exits, we stride forwardly in. the square space within is literally 'teeming' with gay men of all ages, kinds, stripes, styles and strains. i'm beginning to perk up but continue too to disregard the 'see?' that radiates from gate's III's shining visage and face-splitting grin. he's like a giddy blind boy being taken to his first 3d film and i'm distracted by the lone homosexual black man who, white teeth beautiful and blinding, smile bright and blazing, struts with sexual purposefulness through and stylishly in.

the first room or club we elect to enter is a homosexual karaoke bar and there's a young and effortlessly handsome thai man entertaining a calm cluster of gays with his laidback karaoke renditions of those diva ballads with which most homosexuals are undyingly familiar and fantastically fond. gates III and i have a drink or two and smile pleasantly at the pleasant homosexuals all around in this comfortably complaisant karaoke setting. after one or two homosexually preferred diva ballads more, we decide to check out the next club space place and enjoy immediately the charismatic hosting of some intimate stage show by two exquisitely captivating thai homosexual drag queens. gates III and i appreciate the show for no more than a few minutes, we smile at and adore the hostesses and afterward we thank them warmly both before leaving.  

wishing then to partake more totally of this 'homosexual club buffet', we take leave of this establishment also and push our ways further and deepest in. we arrive finally at some club that from the immediate outside looks huge and loud, packed and very crowded, excitingly crazy and darkly bright. once we get in, we are 'blown away' instantly by probably the best sound system in thailand. also we realize we've finally found the most homosexual venue in the country, possibly even the world. the club is the biggest, most crowded, gayest place we've ever been inside of, we are overwhelmed, giddy and amazed. also we are fascinated, violently happy and alarmed. the music is booming and bassdriven and gates III is excited finally to find himself somewhere in southeast asia that actually has truly proper sound, even if the music being blasted is the gayest kind of diva circuit house imaginable. 'this might be the gayest place on earth,' gates III says. 'totally,' i agree and we marvel in place of a happy and gay embrace.

for every one hundred dancing and writhing homosexual thais, there's about ten middle-aged white and studiously cruising foreigners. there's only a smattering of the usually palpably present fag-hag quotient here and representing, we gaze around us, eyes glassy and full and wide. then we are swallowed and smothered into the swoosh and swirl of gay bodies dancing and dalliancing, careening and carousing. i unleash myself into a homosexual happiness of hip-swaying and hype and acquire a sweet sexy string of new best gay friends all in succession across the evening. the club is endless and huge and literally pulsing and pullulating with gay men, we are 'blown away' by the strength and seethe and scale of it all, again and again and again. the humorously horrible homosexual club chorals assault us with brutal beats and continuous clarity, we endure and love it all as shards of lady gaga, rihanna, beyoncé and madonna stab our ears and bodies and hearts with their expected and unmistakable diva strains. the dj throughout is competently capable and capably competent, he knows the club and the sound and the audience and the whole place is going 'off' very hotly, hugely and homosexually. we marvel and we shout, we dance and we love.

later we find ourselves upstairs and pick up our final gayboy hanger-on for the evening. 'watch this', he says and vogues for me. i make a show of being both interested and impressed before i dance in my own 'space and place' again. 'you with him?' he asks me, all gay and smiling. i smile in response and reply and just dance again. 'he with you?' gayboy hanger-on asks gates III. gates III says, 'yeah. he with me.' gayboy hanger-on leans hectically in and closely exclaims, 'yeah? he with you! he! ladyboy?' and gates III smiles proudly, happily and nods without precision or point. 'you! ladyboy.' gayboy hanger-on exclaimingly asks or announces again. i only smile some more, maybe i even shrug a shoulder or two. gayboy hanger-on grins in general commendation and some uncertainty. then again he vogues for me. i offer once more that look of interest and of being impressed: gay boys as a rule love to show off their signature moves and these moves are never by any sober person's standards anything very remarkable or memorable but. as a rule, the gay boy will want to repeatedly show you his 'moves' and as a rule, you as the audience-recipient must offer that immediately instant face of the intrigued, the interested and the impressed, if only just 'for the moment.'

'you! ladyboy!' gayboy hanger-on exclaimingly asks or announces at intervals. i smile and dance and gates III frolicks and grins. later, another gay man joins our jouncingly jaunty group. gayboy hanger-on dances and makes a marked and meaningful movement with his head in my direction. he says in a clipped voice full of confident familiarity, 'ladyboy. ladyboy.' the new gay man to our group dancingly pauses for only a moment and muses politely, 'who. you?' to gayboy hanger-on. gayboy hanger-on makes the same adept head jerking gesture in my direction. he  even goes so far as to jab me once or twice. 'no. him. him.' he says. his expression reveals a knowing and authoritative confidentiality, as though by right of his having 'discovered' me, his proud announcement all is very capital, revelational and supreme. i gaze into the surrounding club's dark pulse and steamed up details, i keep my own expression a mask of meaningless yet warmly neutral inscrutability. gates III continues to dance and carouse and grin.

after lots more of this gay dancing, homosexual voguing and feigning being impressed and interested in various gay dance signature moves, gates III confides to gayboy hanger-on, 'me. love him. so much. he very special. he casual ladyboy...' gayboy hanger-on stops to consider the solemnity of these words and gates III continues, 'you know. usually. ladyboys. very total nice-nice? very so much fancy-fancy? not him. he casual ladyboy.' then gates III adds momentously, 'new style.' gates III pauses to let this clarification sink in. gayboy hanger-on dances and vogues and then says. 'oh.' he follows this brief and brusque consideration with an 'ohhhh—!'  as though suddenly 'everything' makes real and genuine sense again. gates III and gayboy hanger-on then dance once more and roguishly.  they are happy and fused in their shared and clarified confidence. i continue too to smile and to shrug, i metaphorically sigh and figuratively roll my eyes, i 'get my gay on' and i dance. 

'i know josh! from hawaii!' gayboy hanger-on suddenly says. i look at him blankly. 'just go with it. act like you know' is what i can read in gates III's nearby eyes. 'oh josh!' i say familiarly. gayboy hanger-on smiles hugely, more happily than ever before and vogues then again just for me.

later we escape to a smoking balcony or room that i manage to discover. we're joined by one or two gay thai men and their accompanying mostly silent middle-aged white foreigner cruising companions. out also comes our gayboy hanger-on. he's still offering up his signature moves and vogues for us while we look with absent-minded interest still 'on'. then in a lucid moment, i assess our gayboy hanger-on and musingly mention, 'actually. he looks. kind of exactly like... a gay edit.'gates III sobers up for a single instant to also scrutinize our gayboy hanger-on. gates III then confirms the comment and slowly says, 'actually... he does.' the great accuracy of my observation amuses us both for as long as it takes to finish our cigarettes.

after we suffer through some more endless gay club circuit house anthems, i finally begin at last to lose my fire and flare and am pretty much very ready to leave. gay edit looks about fit to vogue and preen and show me off as 'his' ladyboy discovery until sunrise and so i move to make my terminal escape. i sit zen-like and statuesque for about a thousand years somewhere downstairs while i wait for gates III to properly, firmly and finally shake the gay edit off...

at last gates III succeeds with some very detailed but unimportant lengthy explanation and apology. i in my haze can only think of the million years trudge home back to the hotel, i can't imagine where i'll find the strength to make it.

on exit, we're suddenly presented with about ten bundles of giantly oversized stocks of green onions as thick and as tall as gates III himself is. we cannot believe that these green onion bundles are 'for real' or how they can exist 'in real life'. we're so 'taken' with these questions and the wonder of the life and reality of them that we forget to wonder why or what green onions should have to 'do' at all, with homosexuality, with gay men, with gay clubs, with bangkok or with thailand... rather than seek for answers, we take of course some pictures.

on the thick hot humid bangkok night trudge home then, we take still several more very drunken snaps of each other doing very drunken things. at last i uncannily run ahead in my estranging platform wicker wonder shoes. i'm in a haze of lingering fatigue and flinging confusion, i find the hotel by mere magical instinct and collapse instantly into the deepest waiting-for-the-boy stretched out stillness and sleep. when gates III himself at long last also returns, he takes pictures of me serenely passed out calmly drunk in the lobby. moments later we are at last back in our great gay hotel room, safely, sumptuously, anew.

'there. wasn't that great?' gates III, still drunk, beams. i'm already half-naked and mostly unconscious. 'who's my casual ladyboy!' gates III croons in a voice of deep fulfillment and the drunkest affection. he gets then also messily ready for bed and plops himself horizontally heaving and down. fortunately the all-consuming urge to sleep is a mutual thing. all possible erections—no matter how hopeful or indefatigable—are nonissues and safely out of everyone's way (most significantly, out of mine). i can without effort or interruption therefore [keep a clear and final eye on that ever elusive beauty sleep ball] i can at last without interruption or effort, sweetly and sumptuously sleep.

in the pitch and pleasing darkness, my left arm is flung with careless familiarity across gates III's smoothly warm chest, my right hand with loving tenderness cups his blindly silent, touchingly vulnerable, eternally hardworking balls. 'goodnight' i jabber muffled and fadedly deep into the side of his susceptible neck, deep into the puffed and pithy pillows. he sighs his somnolent pleasure and peacefulness and puts a lank free arm around me. lightly and lovingly, he touches the back of my own susceptible neck with the tips of one or two slow and unconscious fingers and it's goodnight bangkok, it's thailand [thank you and] goodbye.

thank you thailand (for being so wonderful)
and thank you bangkok, for being so gay.

2010-10-13

wörter


100 Years of Solitude
After the Quake
Alice's Adventures in Wonderland
American Psycho
Animal Farm
Anna Karenina
Art of War
Blindness
Book of the Samurai
Brave New World
Breakfast of Champions
Bridge to Terabithia
Brief Wondrous Life of Oscar Wao
Brothers Karamazov
Buddenbrooks
Castle
Cat's Cradle
Catch-22
Catcher in the Rye
Charlotte's Web
Charterhouse of Parma
Chronicles of Narnia
Clockwork Orange
Confederacy of Dunces
Crime and Punishment
Crying of Lot 49
Dance Dance Dance
Death in Venice
Death is a Lonely Business
Do Androids Dream of Electric Sheep?
Dubliners
Dune
Fahrenheit 451
Fall
Fear and Loathing in Las Vegas
Fermata
Golden Bowl
Good Soldier
Gravity and Grace
Gravity's Rainbow
Great Gatsby
Gulliver's Travels
Handful of Dust
Handmaid's Tale
In Search of Lost Time
Infinite Jest
Kafka on the Shore
Lolita
Lord of the Flies
Madame Bovary
Mansfield Park
Martian Time-Slip
Metamorphosis
Mezzanine
Mrs. Dalloway
Naked Lunch
Nausea
Neuromancer
Nineteen Eighty-Four
Norwegian Wood
Not Wanted on the Voyage
Notes from Underground
Of Mice and Men
Pale Fire
Picture of Dorian Gray
Plague
Point Counter Point
Prophet
Rebel
Red and the Black
Road
Scanner Darkly
Sea of Fertility
Snow Crash
Society of the Spectacle
Stranger
Swiftly Tilting Planet
To Kill a Mockingbird
Trial
Ubik
Ulysses
Waiting
War and Peace
Wasp Factory
White noise
Who Has Seen the Wind
Wild Sheep Chase
Wind in the Door
Wind-Up Bird Chronicle
World According to Garp
Wrinkle in Time

2010-03-02

windows

black teenager

people again are looking at (her) like (she’s) strange, that of course might just be (her). avoid all those senseless staring eyes, people will stare, people always stare. there’s two people in a seat near the front and (she) finds (herself) staring at them now too. they each have a black hair comb and with great careful thorough slowness, they comb each other’s hair. they gaze mindlessly and deeply into the glassy unseeing eyes of the other and their gaze is one gaze, one unseeing glassy mindless gaze. there’s a kind of slowed-down love there, sluggish and supine, a ponderous and passive passion. they have exactly the same hair, all greasy straight, thin and chestnut brown, they appear to be brain damaged or damaged in some other gradually visible and eventually disturbing way. there’s something both grotesque and loving in the whole scene, almost like it’s uncomfortably too intimate to be so public, it’s kind of gross even and yet also loving, so arrestingly careful, carefully slow...

the sun shines bare and bright and brutal through all the surrounding glass, the engines beneath grind and give and gear, everything moves heavily haltingly forward. a voice then, low and somehow mechanical, disembodied and removed, it sounds like someone talking through a hole in a neck, it’s not obvious where the voice is coming from. people begin to take notice, heads turn backward and forward, left and right to locate the strangeness of the source. the voice seems to come from an older man sitting slumped and still, gazing out of a window, he’s impassive, inscrutable and inert. it doesn’t look like he is talking at all and though he is, there’s no one specifically for him to speak to, talk to, address. he looks disheveled and uncared for, he’s aimless and apparently alone, possibly he’s arabic, indian or italian. he seems lifeless but he’s not. the voice meanwhile mechanically and methodically runs through what emerges to be a series of film opinions and reviews, like a commentator on a talk show or a radio program. the voice mentions films, describes and reviews them in a controlled and continual way. people look at the man and at each other, they pull faces to express that they think he’s weird or abnormal, like something is wrong with him, like he’s kind of funny or scary or crazy. some simple slender girls gaze back and forth between the disembodied voice, the man and each other, they suppress unthinking nervous giggles and everyone takes random turns glancing and gaping at the man. they show with their faces that they think he’s unnatural, strange, queer and weird.

then a black teenager hustles loudly through the crowd and all attention wordlessly shifts to him. he’s indecorous and unabashed and he raps. he raps with beat and rhythm and feeling, he rhymes about guns and women and music, he pushes through the crowd ignoring everyone while they move out of his way. some people pretend not to hear or notice him while a mother covers both the eyes and the ears of her stroller-strapped child. certain persons shake their heads after the black teenager passes loudly through and roughly by, they shake their heads to express private displeasure and public disapproval, the black teenager doesn’t let up. little children [whose eyes and ears have not been covered] gape at him, their round eyes full equally of a kind of innate continual wonder, a kind of vacant staring fear. the black teenager ignores it all, he doesn’t seem to take notice of anyone or anything, he doesn’t seem really to care or to not care, he simply moves through loudly and raps. he is interestingly very pertinacious and rudely kind of interesting. a man in a dark stiff suit stares sidelong at the black teenager and then also at (her) and quickly averts his gaze when (she) glances with sudden penetration back at him. when parenthetically (she) turns away, he cannot afterward resist his sidelong staring at first the black teenager moving loudly through the crowd and then back at (her) again. an indian couple across from (her) also gazes still after the black teenager and with open censure. she smiles very vaguely at them and their condemnation only deepens. (she) continues regardless to sort of smile and almost (she) want to laugh. everyone around her looks stiff and stern, an impatience all of judgment and silence.

a voice calls out at last a stop, (she) makes maneuvering motions toward getting off. the rapping black teenager is somewhere further ahead but he’s still near. and he’s still moving, still rapping, still pertinacious, still loud.





A Bitter Nest

It’s been years now and I’m still with this same slow heavy man. We’ve both grown a lot older and while I’m certainly not as young as I was I still look quite good, especially 'considering my age.' He looks quite old though—very old actually but then he’s always been old, I found him old. He gets on my nerves so much of the time but I can’t very well openly act like I hate him, he’s my husband after all and he’s apparently what I’ve got. All the kids are gone, everyone of them adults now and they’re no longer around. The house was awful with all of them stomping about everywhere, being so loud and demanding things, acting like they were so privileged and smart, like they were so important, like they were all that mattered. It was hard enough taking care of my own kids alone and then suddenly I had six more kids running around demanding things, acting like I owed them everything, like as their new mother I had to do and be whatever they felt they wanted or needed, what they felt they 'deserved.' The boys were okay but I never liked the girls (and I know they didn’t like me. At least not the first two and certainly not the second one of those two). That second girl was especially awful, such an obnoxious little know-it-all, I couldn’t stand her. She seemed sometimes almost scared of me even while she hated me, she always was very manipulative and deceptive, she was a sneaky little thing. I could tell right from the start, I could see even at her age she knew how to make people do things for her, how to get away with things, how to get her way. She thought she was all that, like she was so special and so smart, like she was some kind of dear little princess. She’ll learn soon enough that the world is not her oyster, that she’s not so special after all, that everything isn’t for her, everything isn’t hers [if she hasn’t already... She must be an adult woman now, I haven't seen her or even thought of her in years... I don't know what became of her and I can't honestly say I care. She's probably just as sneaky and manipulative now as she was then. I never liked her] I don’t care if she didn’t like me. Her sister too, they were both awful girls. I do wonder sometimes what happened to them but I can’t trouble about them. They aren’t worth my thoughts and I refuse to play the guilty role again and again. The older one was less troublesome (she at least didn’t act like such a princess) but I just couldn’t really take to them, I couldn’t take any of those kids on. I had my own kids to worry about.

It sounds bad to say but I could only really care about my own kids. They were my kids, all those others weren’t my responsibility. It was terrible when my first husband died, it was really awful dealing with that; I’ve never fully dealt with it. No one knows how awful that kind of loss really is unless they’ve been through it, everyone just glosses over the grief. (He was such a wonderful, wonderful man. The love of my life—he’s still the love of my life. He always will be, even now). I gave him three beautiful children, our life together was beautiful until the accident... I know it’s been so many long years now but I’ll never stop missing him. I’ll never stop thinking about how our lives might have been. He’ll never see how wonderfully his kids have turned out, how great they are, how good I managed to do despite everything. They’re all grown up now and doing so well, he’ll never know or see that and he’ll never meet his grandkids either. I know I shouldn’t dwell on these things but no one understands this kind of loss, this kind of 'what if.' Certainly he doesn’t. He’s so slow and dull and I know he never stopped loving his ex-wife... Even after how awful and disgusting she was. I know he still loves her despite all the damage she gave, despite how sick and selfish she was, that’s how stupid and thick he is. I don’t even like to think about her though, she was a witch of a woman. Really I don’t know how I got thrown into this mess of a family or how it ended up becoming mine. I know they all blame me, I know a lot of them never liked me, they were too caught up in their little privileged minds and their little privileged lives. What a whole bunch of self-important kids thinking they had it so tough, that they deserved so much. They never once learned to think about anyone else but themselves. I know some of them felt like I was the 'Evil Step-Mother,' I could see it in every one of them, I could see it in their eyes and in the way they behaved. I did my best—they could certainly have had worse and besides: they weren’t even my responsibility. They were his. And hers. Why should I have to have been the one to clean up their ridiculous mess.

I miss my husband so much. My real and first and only. This man I’m with now, all these years between us and still I know he never truly loved me. [To say nothing about actually understanding me or giving me what I needed or being the kind of man or husband I wanted and deserved]. He just needed a new mother for his children, another woman in the house, a slave housekeeper to take care of all his mess, his house and his kids. People have thought (and they probably still think) I just married him for his stupid money. Well he just married me to take care of him. Him and all his damned kids. I don’t know. Things have turned out as good as they could have I guess and I’m not going to feel bad or guilty. I’m not the guilty party here, I’m the one who lost what I had and really loved. I only did what I had to do. I just hate that I had no real fair or true second choice.




Ikari

The sun streams scarlet and stark through her windows, blinding and burning her murderously awake. She opens her eyes and feels immediately the same intensity of violence, of pure and consuming hate. Fuck this shit, she says, feels, remembers, thinks. Fuck her, Fuck him and Fuck you.





Akaal Moorat

Prende and Ezili arrive at last at a small unexpected clearing in the woods by a clear and running stream and look with formless uncertainty and undefined reverence around. They drop their parcels, equipment satchels and packs, unstrap each other and dust themselves a little. Ezili spreads a worn thick and faded blanket down. Both girls have small cuts and scratches on their fingers, forearms, thighs and shins, Prende’s left knee is slightly skinned. They sit close and quietly next to each other and let the placid pretty peace of the place fall upon and into them, upon and through their nearly still and susceptible forms. The separated secret space encircles them, isolates and surrounds, a silent serenity of stillness, a fixed and flowing frame of black earth, dark wood and leaves flooded with an eternal diminishing of light. Prende gazes down at her hands and absently holds her palms up, fingers partially cut against the light, into the secret small surrounding sounds, the steady soundless flowing of the water streaming by. Ezili gazes at Prende for a separated single moment, she feels herself slowly and fully become something she does not recognize and cannot describe, subsiding into an indistinct awareness, an intangible impression of consciousness, secrecy, separation and self. She erases into this strange self sense, equivocal and inconclusive, a distance of consequence and distress, a silence of unseen wind and diminishing light.

Neither girl thinks to worry about where the others are or how far and separated they might now be. Ezili feels a strange and quiet excitement, Prende appears quiet, excited and strange. The sun has nearly set and the air is already cool, the only sounds are the rustlings of unseen insects, the sweet sequestered songs of hidden birds, wan wind in lighted leaves. Light breaks through slender branches and dark bushes in tiny shapes, pieces, spaces, the great tall trees stand and surround, closing around the two contained, diuturnal, dense and dark. Let’s try to set the tent up, Prende says and Ezili tries unskillfully to assist. Neither of the girls have ever set up a tent before and after some minutes of struggle and effort, they decide simply to give it up. We can just sleep on this I guess, Ezili says. She begins to lay out a large tarp upon the ground and Prende by helping her agrees. The dirt is soft and black and cool and the girls both are self-conscious and uncertain as they sit down. Ezili and Prende have only met some hours ago and neither of them know how with each other to act. Let’s try to make a fire and cook some food, Ezili suggests. Prende again by slight action without words agrees.

Prende searches nearby for some sticks and twigs while Ezili searches for matches and opens the satchel of food meant for them both and enough for a single night. They boil water and cook something light and long and wrapped in cloth. Each girl eats. The light fades imperceptibly into an unbroken blackness of night and the fire flickers, brightens, wanes and never dies. I’m cold, Prende says and her voice is unfamiliar. Me too, Ezili says and they instinctively huddle closer together. They lie eventually down leaving their clothes and sweaters and shoes on, cold shivering skin and pale thin arm against pale thin arm, small thin backs thinly clothed against soft black earth, eyes upward into a continual black, cold air and night, distant and intricate stars, impenetrable sky. As the light faintly finally dies, the girls drift in and out of divergent voices and discrete consciousnesses, they look upward into the wide black darkness high and beautiful and eternal above them, complete and unbounded and surrounding. Ezili smiles without intent or meaning as Prende abstractedly takes her hand. The girls look at each other briefly and straight up again into the high and beautiful and eternal black. In the darkness the voice of a man calls their names and the girl lie closer and more secret still, an ambiguous pact unspoken and understood between them not to tell where they are, not to give up this sharing of secrecy, space and silence. Eventually the voice disappears, dies away, Ezili squeezes slightly the small strange hand in hers and can feel Prende’s obliterated smile. Inside Prende is the love of love and inside Ezili is the fear of fear, Ezili’s hands begin to darken and Prende begins to disappear.

[Blood brims brightly between their thighs dismantling tears in their unrecognized eyes the blackness advances darkens deepens the air falls and flows cutting and cold Prende hears only the rhythmical conviction of her extinguishing heart’s warm beating she embraces Ezili’s darkening hands with her constricting heart’s disguise Neither girl can feel anything now they become together a single unseen coldness a separate unfelt beauty a secret unconditional conclusion Ezili darkens and Prende disappears and all above them a thousand stars glitter continually obscure and bright consuming and cold eternally inextinguishable A thousand eternal inextinguishable stars plunge purely primordially perplexingly]


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